Rock ’n’ roll, «nueva ola» and garage rock: an aesthetic explanation of the rise of rock music in Peru

Authors

DOI:

https://doi.org/10.21142/DES-1501-2023-0006

Keywords:

rock, nueva ola, garage rock, Peruvian rock, popular music history

Abstract

In their most widespread texts, peruvian rock historians promote semantic ambiguities around terms as rock ’n’ roll , «nueva ola» and rock music, and leave an explanatory gap in relation to the rise of rock music in Peru. This article clarifies these ambiguities and offers an explanation to the rise of rock music in Peru. The author proposes an aestheric approach based on social functions that musicians and listeners assign to a set of musical parameters in a certain historical context. In the end, the article clarifies the meaning of the terms that designate these music genres, and shows that the rise of rock music in Peru involved the continuity of some features of the genres that preceded it, and the appearance of innovations sufficiently important as to define the birth of a new musical genre in this country. 

Downloads

Download data is not yet available.

Author Biography

  • Francisco Melgar Wong, Universidad Científica del Sur. Lima, Perú

    Licenciado en Filosofía y magíster en Musicología por la Pontificia Universidad Católica del Perú (PUCP). Su tesis La construcción de lo punk en el discurso historiográfico sobre la música de la banda peruana Los Saicos ganó el fondo para investigación PAIP 2019, otorgado por la PUCP para el desarrollo y sustentación de su tesis de maestría. Ha publicado en Contrapulso, revista latinoamericana de estudios en música popular, Centro de Sonido, archivo digital de música experimental y arte sonoro en el Perú, y Antec, revista peruana de investigación musical. 

References

Bovey, S. (2019). Five years ahead of my time: Garage Rock from the 1950s to the present. Reaktion Books.

Carvalho, J. J. de (2010). Un panorama de la música afrobrasileña. En Tercer Congreso Iberoamericano de Cultura. A tres bandas (pp. 125-135). Akal.

Cornejo, P. (2018). Alta tensión. Breve historia del rock en el Perú. Contracultura.

El Clan del Twist. (14 de agosto de 1965). Aviso publicitario. Diario Extra.

Extra. (24 de junio de 1965). Los Saicos: nuevos reyes de la nueva ola.

Frith, S. (2007). Towards an aesthetic of popular music. En S. Frith, Taking popular music seriously (pp. 257-273). Ashgate.

Gillett, C. (1996). The sound of the city. Da Capo Press.

Hicks, M. (1999). Sixties rock. Garage, psychedelic & other satisfactions. University of Illinois Press.

Shuker, R. (2002). Popular music. The key concepts. Routledge.

Silenzi, R. (2016). Llegada del rock a Argentina. [Artículo de blog]. http://elblogderomeosilenzi.blogspot.com/2016/03/llegada-del-rock-argentina.html

Sótano Beat. (2012). Días felices. Contracultura.

Straw, W. (2002). Systems of articulation, logics of change: Communities and scenes in popular music. Cultural Studies, 5(3), 368-388.

Tagg, P. (1981). Analysing popular music: theory, method and practice. Popular Music, 2, 37-67.

Torres, C. (2018). Demoler. El rock en el Perú 1965-1975. Planeta.

Wald, E. (2009). How The Beatles destroyed rock ’n’ roll. Oxford University Press.

Additional Files

Published

2023-01-30

How to Cite

Rock ’n’ roll, «nueva ola» and garage rock: an aesthetic explanation of the rise of rock music in Peru . (2023). Desde El Sur, 15(1), e0006. https://doi.org/10.21142/DES-1501-2023-0006

Most read articles by the same author(s)

1 2 3 4 5 > >> 

Similar Articles

1-10 of 411

You may also start an advanced similarity search for this article.