Borges and Photography
DOI:
https://doi.org/10.21142/DES-101-2009-97-108Palabras clave:
Camera, Literature, Image, Photography.Resumen
Borges is unquestionably the most photographed Argentine author. As someone who assumed something of an international celebrity status before he was widely accepted in his native country, the photographic images of Borges, which outside Argentina quickly went from newsprint to book jackets to gallery walls, were less the consequence in Argentina of any canonical role in national letters than they were the attention of local artists to their acquaintances and associates in rather closed circles.Descargas
Referencias
FOSTER, David William. “Annemarie Henrich: Photography, Women’s Bodies, and Semiotic Excess.” Journal of Latin American Popular Culture 25 (2006): 253-70.
FOSTER, David William. Argentine Urban Photography. Jefferson, N.C.: McFarland Publishing, 2007 (forthcoming).
FOSTER, David William. “Dreaming in Feminine: Grete Stern’s Photomontages and the Parody of Psychoanalysis.” Ciberletras 10 (2003): 10 pages. http://www.lehman.cuny.edu/ ciberletras/v.10/foster.htm
FOSTER, David William. “Sara Facio as Urban Photographer.” Foster, Buenos Aires: Perspectives on the City and Cultural Production. Gainesville: UP of Florida, 1998. 170-94.
FOSTER, David William. “Saudades do Brasil: Claude Lévi-Strauss’s Photographic Gaze of the City of São Paulo.” Chasqui, special issue no. 3 (2006): 98-125.
HEINRICH, Annemarie. Un cuerpo, una luz, un reflejo. Textos y se lección de imágenes, Juan Travnik. Buenos Aires: Edi ciones Larivière, 2004.
Image and Memory; Photography from Latin America, 1866-1994: FotoFest. Ed. Wendy Watriss and Lois Parkinson Zamora. Austin: U of Texas P, 1998.
STERNE, Grete. Fotografía en la Argentina, 1937-1981. Buenos Aires: La azotea, Editorial Fotográfica de la Argentina, 1988.
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Esta obra está bajo una licencia http://creativecommons.org/licenses/by-nc-sa/4.0/