Algorithms that listen for us. A brief history of the sound object and its stormy digital becoming

Authors

DOI:

https://doi.org/10.21142/DES-1501-2023-0003

Keywords:

music, culture, sound, digitalization, technology, artificial intelligence

Abstract

This text presents a brief history of the technological tools that allowed sound to be captured and manipulated, until it culminated in its contemporary digital becoming. The objective of this essay is to expose some of the most important repercussions that have occurred in musical environments from the transformation of music and sound into digital objects. For this, we will expose some of the most striking phenomena that have arisen from the organization and homogenization trends that prevail in contemporary digital tools and in streaming platforms managed by corporations. Finally, some lines of flight are outlined that, in my opinion, allow us to think of routes of musical imaginaries that experiment from other perspectives with the digital becoming of music and sound.

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Author Biography

  • Ollin Vázquez, Universidad Nacional Autónoma de México

    Compositor, productor e investigador musical enfocado en la música experimental, la música vocal y los medios tecnológicos asociados al sonido. Cursa el doctorado en Tecnología Musical en la Universidad Nacional Autónoma de México. 

References

Adorno, T. W. (2009). Obra completa. Disonancias. Introducción a la sociología de la música (1. Aufl). Akal Ediciones.

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Lara, R. (2017). Giro cibernético e imaginarios de la ciencia ficción en el arte lationamericano con nuevos medios. En F. de J. Lara-Rosano, Aplicaciones de las ciencias de la complejidad al diagnóstico e intervención en problemas sociales. Colofón.

Lister, M., Dovey, J., Giddings, S., Grant, I. y Kelly, K. (2008). New Media: A critical introduction. Routledge. https://doi.org/10.4324/9780203884829

Reynolds, S. (2016). Retromanía: La adicción del pop a su propio pasado. Caja Negra.

Sadin, É. (2020). La inteligencia artificial o el desafío del siglo. Anatomía de un antihumanismo radical. Caja Negra.

Sterne, J. (2003). The audible past. Cultural origins of sound reproduction. Duke University Press.

Taylor, T. D. (2001). Strange sounds. Music, technology & culture. Routledge.

Additional Files

Published

2023-01-26

How to Cite

Algorithms that listen for us. A brief history of the sound object and its stormy digital becoming. (2023). Desde El Sur, 15(1), e0003. https://doi.org/10.21142/DES-1501-2023-0003

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